Meet Jepchumba African Digital Artwork Founder

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African Digital Artwork | Nandi Market will diversify the face of ‘tech-billionaires’. We envision a future the place the world might be enriched by Africa’s legacy of expertise and tradition. It’s time that African creators and technologists faucet into the assets, funding and alternatives that beforehand excluded them.


In 2010, Jepchumba launched herself on the middle stage of Africa’s digital world on the TedxEuston convention in London. Jepchumba shared her early imaginative and prescient for African Digital Artwork (ADA), a platform centered round Africa’s expertise and artwork tradition. On the time, she didn’t know that TedxEuston could be one of the crucial notable TED-like occasions devoted to spreading the perfect concepts and innovation from throughout Africa and the worldwide Pan-African diaspora, with famend audio system like Chimamanda Ngozi Adiche,  the late Komla Dumor, and the late Binyavanga Wainaina.  

Her identify, Jepchumba, interprets to ‘foreigner’ in Nandi, a Kenyan language. Because the identify implies, Jepchumba was born to Kenyan dad and mom who traveled the world as civil servants of Kenya. Her international upbringing developed her fervent ardour for Kenya after which by extension African international tradition. A self-confessed futurist and thinker, Jepchumba would later delve deep into sustainable farming, practising the methods generations of her household adopted over centuries. Her experiences residing in India, Tanzania, Djibouti, South Africa, United Kingdom and the US, solidified her need to be taught every little thing she might about international African tradition.

African Digital Artwork Altering the African Narrative

Jepchumba went to an American missionary Christian boarding college in Kenya, Rift Valley Academy (RVA), based in 1906 by Charles Hurlburt. The varsity most notably has a cornerstone laid in 1909 by US President Theodore Roosevelt who got here to Kijabe on a searching tour. She studied at a college designed as a colonial venture for educating missionary youngsters who had come to Africa to eradicate indigenous tradition and African thought. Her complicated upbringing led to a deep love for crucial pondering and philosophical experimentation, and the shortage of freedom to suppose critically provoked an uncompromising dedication to curiosity. Her journey led her to develop into a digital ambassador, championing the ingenuity of Africans in Africa and the diaspora. 

Rift Valley Academy, Kijabe Kenya

In 2009, search engine outcomes for Africa displayed principally footage of wildlife and disadvantaged households, and Jepchumba made it her mission to vary the face of Africa on-line by representing and showcasing one of the best inventive expertise on the continent. Her concept was easy, and visibility could be one of the best place to begin. In the identical yr, Jepchumba based the African Digital Artwork within the midst of the burgeoning tech increase in Kenya. As tech giants reminiscent of Safaricom took heart stage, Jepchumba wished to discover new prospects for inventive expertise in Africa. In response to the rising concern that Africa couldn’t communicate for itself, African Digital Artwork was designated as a web based house to deliver visibility to artists and inventive technologists that usually had been invisible within the dialogue of innovation and expertise in Africa.

Over a decade later, Jepchumba has featured 1000’s of artists changing into the most important on-line digital assortment of African artwork that focuses on the cultural illustration of black folks internationally. What began as a platform to merge Jepchumba’s ardour for digital media and Africa and to show that African artwork goes past conventional masks, work, and sculptures has developed into making a sustainable ecosystem that makes use of expertise and neighborhood as a strong instrument to empower black artists, collectors, and fanatics.

What began as a platform to merge Jepchumba’s ardour for digital media and Africa and to show that African artwork goes past conventional masks, work, and sculptures has developed right into a neighborhood that makes use of expertise to empower black artists, collectors, and fanatics.

Empowering Artists Via Know-how

In the present day her mission for African Digital Artwork has gone past showcasing African artwork. Jepchumba plans to shatter the worldwide artwork market. She believes artwork, expertise, tradition, and the economic system have converged in a candy spot to create wealth for black artists and collectors worldwide. Jepchumba and the workforce at ADA will proceed to push digital boundaries and transcend what has been thought of doable for black people in Africa and the diaspora, and create wealth for black prosperity.

Jepchumba is redefining the narrative of African artwork and hopes to merge on a worldwide scale the African type of inventive expression with expertise. She believes that expertise has paved the best way for brand spanking new and unlikely folks and views to take part in African ingenuity and inform a extra healthful story of Africa and blackness. Jepchumba’s ardour for black prosperity, Africa, expertise, and digital media has created an ‘Unintentional Curator of African digital Artwork,’ however she says there may be nonetheless extra work to be performed. Now, Jepchumba is asking why there are not any African tech billionaires and why all tech billionaires look and sound the identical? She believes that ADA will diversify the face of ‘tech-billionaires’ and envisions a future the place unconventional African tech-creatives like herself – a black feminine farmer from Kenya, may have entry to funding and alternatives that beforehand excluded them. 

Jepchumba has been listed by Forbes as one of many 20 Youngest Energy Ladies in Africa, by Guardian as Africa’s High 25 Ladies Achievers, and Africa’s High 10 tech pioneers, Apollo 40 underneath 40, Artwork & Tech, amongst many others. Whereas these awards present some recognition for Jepchumba’s work over the previous 12 years, Jepchumba believes that the way forward for ADA is even brighter, and the chances of African digital artwork and expertise are infinite. Jepchumba and the workforce at ADA are enamored with the concept of making an area that prioritizes, empowers, and advocates for African digital artists and collectors and are working to maximise the fullest potential of the intersection between expertise, creativity, and design by black folks internationally

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