Jean-Louis N’cho, also referred to as Kpèhin, is a finance scholar and pictures fanatic who started pursuing artwork in 2014. Images has turn into his channel of expression, a way to specific feelings, and an escape from advanced conditions. He began utilizing a cellphone for pictures because of the excessive price of digital cameras, however now sees it as a particular mark and a testomony to creativity.
Kpèhin unaware of his continent’s historical past, tradition, and distinctive peoples, befriended younger Pan-Africanists in 2021. After introspection, he determined to showcase their various cultures by artwork. Kpèhin felt guided by his ancestors in each photograph shoot and modification, discovering the intertwined historical past of his cultures. This collection of photographs was born, and he determined to exhibit them of their first exhibition as a tribute to his ancestors. The pictures have been chosen from his numerous collection.
Jean-Louis N’cho, identified within the artwork world as Kpèhin, is an artist who masterfully blends the worlds of finance and pictures. Born and raised in Côte d’Ivoire, N’cho moved to France the place he has been finding out finance for the final two years. Concurrently, he has been immersing himself on this planet of pictures, his true ardour.
His journey in pictures started in 2014 when it turned a way of expressing feelings and a haven from life’s complexities. Regardless of being a finance scholar, N’cho’s love for capturing moments and feelings is uncontainable. He began his journey with a cellphone digital camera, a choice born out of the excessive prices related to digital cameras. Nonetheless, this limitation quickly turned a defining attribute of his work, demonstrating that creativity is aware of no bounds.
